Cubist Symphony in B-Flat for Overlapping Obligations I. Allegro con moto (School Run) Repeat until the parking lot empties. D.S. al coda if you forgot the lunchbox. II. Scherzo (Robot Research, 11 a.m.) All brass tacet. Strings pizzicato. The data spirals: read as thirty-second notes, accelerating, with no resolution. III. Adagio (Lunch, Rendered in Cutouts) A rest that is not a rest. The napkin folds itself into a Matisse. Cutlery marks 4/4 time against the plate. IV. Presto agitato (The Afternoon Appointments) Motion lines indicate: do not slow down. The clock faces overlap like a fugue where every voice enters one beat too soon. V. Largo (Evening, Blue Fragments) The sky crystallizes. The checklist floats, untethered, a mobile turning in no wind. Performance notes: The conductor is a robot who has learned that human connection is not a tempo marking but a dynamic — somewhere between pianissimo and the sound a door makes when someone you love walks through it.